8/16/2023 0 Comments Photo reflector![]() ![]() The fill light should also have a modifier to soften the light. This is the bottom half of the shell to the first light. The second light should look like the mirror image of the first. Point it up about 45 degrees towards the subject. ![]() Position the light on a low stand a foot or two off the ground. interior of a modern photo studio Use a Second Studio Lightįill the shadows under the chin with a second studio light. If the reflector is too limiting, you can use a second studio light as the fill instead. However, with the subject holding the reflector in place, you may be more limited in your poses and composition. Using a reflector is an easy way to create clamshell lighting with minimal gear. That means the edge of the reflector farthest from the subject should point up slightly. The reflector should also be at a 45-degree angle, bouncing the light up like the bottom of that clamshell. The easiest way to add the reflector is to have the subject hold the reflector about waist level. A silver reflector will create minimal shadows, while a white reflector will have a bit more shadow, though still rather subtle. To fill in the shadows under the chin, add in a reflector. How to Create a Second Light in the Clamshell Setup Add a Reflector Imagine one light is at the top of the clamshell and the other is at the bottom. Lower the light stand until you get a bit of reflection in the eyes.Ĭlamshell lighting gets its name from the clamshell-like shape that the two lights make together. If you don’t see catchlights in the subject’s eyes, that means your light is too high. The image should be properly exposed, but with dark shadows underneath the chin. Once you’ve set the first light, take a test shot. The key light should be set so that the image is properly exposed while keeping the light soft. You should set these based on your vision for the shot. The exact light settings will vary based on the studio space and the camera settings. Or you can estimate the light settings, take a test shot, and adjust from there. You can use a light meter to get the proper exposure on the first try. With the first light in position, adjust the settings on the light itself. Set the Key Light Settings and Take a Test Shot An umbrella or beauty dish will also work well.ģ. You can use any type of modifier that softens the light. Softboxes are the most popular for this setup. Next, soften the key light with a modifier. ![]() In clamshell lighting, the key light is only a few feet from the subject. Remember that the closer the light is to the subject, the softer it will be. The higher the light is, the more prominent the shadows that help sculpt the cheekbones will appear. Don’t position it too high or the light won’t create catchlights. The height should be above the subject’s head. There’s no hard and fast rule to just how high and how far from the subject the light needs to be. Have the light tilted back down towards the subject at a 45-degree angle. Use a light stand to ensure that the key light is above the subject’s head. You should place the key light directly in front of the subject. Place the First Light at a 45-degree Angle Above the Subject But you can replace that second light with a reflector. You don’t need both.Ĭlamshell lighting is a two-light setup. Note that you need either two lights, or a single light and a reflector.
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